Chapter 4 - The Drawing on the Wall

Declan didn't give them the courtesy of a warning.
The suppressed crack of his Glock was no louder than a dry branch snapping under a boot. The first man—the one with the cigarette—collapsed forward into the fresh snow before his brain could register the sound.
The second man dropped the pink boot and reached wildly for the pistol tucked inside his waistband. Declan closed the distance in three violent strides. He caught the man’s gun wrist, twisted it until the bone splintered with an audible pop, and drove his palm upward into the thug's nose. The man stumbled backward against the wooden double doors of the carriage house, gasping for breath through a ruined face.
Declan pressed the hot barrel of his Glock directly into the hollow beneath the man’s ear.
“Make a sound,” Declan whispered, “and you won't live long enough to bleed on my grass. Where is the girl?”
“Up... upstairs,” the man wheezed, clutching his broken wrist against his ribs. “In the old tack room. Foley told us... he told us to put her in the trunk of the car after midnight. That’s all I know, I swear to God—”
Declan brought the heavy butt of the gun down across the man’s temple. The thug crumpled into the snow beside his partner, unconscious and harmless.
Norah was already past them. She snatched the little pink boot from the snow, pressing it against her chest with trembling fingers, and threw her shoulder against the side door of the carriage house.
Declan followed her inside, shutting the heavy oak door behind them.
The lower floor smelled of dry hay, old leather motor upholstery, and motor oil. The shadows were deep, broken only by the dim amber glow filtering down the steep wooden stairs that led to the old chauffeur’s quarters above.
Norah took the stairs two at a time. “Katie!” she cried out, keeping her voice to a frantic whisper. “Katie, baby, it’s Aunt Norah!”
At the top of the stairs, the door to the tack room hung slightly ajar. A single bare lightbulb swung from an exposed beam, casting swaying shadows across the wood-paneled walls.
Sitting in the corner on a threadbare cot, wrapped in an oversized adult wool coat, was a little girl.
She had messy auburn curls, pale cheeks streaked with dried tears, and enormous, frightened green eyes that Declan recognized with a jolt so profound it nearly knocked the air from his lungs.
They were his mother’s eyes.
Not Sean’s. His mother’s—the distinct, emerald-green gaze of the Gallagher women that Declan had seen in portraits in the gallery his entire life.
“Aunt Norah!” The little girl scrambled off the cot, her bare foot hitting the cold floorboards as she threw her arms around Norah’s waist. She buried her face in the black fabric of the maid’s uniform, her small shoulders shaking with silent, exhausted sobs.
“I’m here, sweetheart. I’ve got you. I’m right here,” Norah murmured, dropping to her knees and wrapping both arms around the child, kissing her hair over and over again.
Declan stood in the doorway, his hand slowly lowering the weapon to his side. His mind was spinning out of control.
Eileen Jenkins was his father’s secretary.
Katie was supposedly Norah’s sister’s daughter.
Then why did she look like she had stepped directly out of a Gallagher family photograph?
“Norah,” Declan said, his voice dropping into a dangerous whisper that cut through the little girl’s whimpering. “Look at me.”
Norah didn't look up immediately. She kept her cheek pressed against Katie’s curls, her eyes squeezed shut.
“Norah,” Declan repeated, stepping into the circle of light. “Who is this child?”
The little girl sniffled and peeked out from behind Norah’s shoulder. She looked at Declan’s black tuxedo, at his tall frame, and then her gaze drifted to the shiny gold cufflinks on his wrists.
“You’re the man from the desk,” Katie said in a small, hoarse voice.
Declan paused, caught completely off-guard. “What desk, sweetheart?”
Katie pointed a small, dirty finger toward the wooden wall behind the cot.
Declan walked past them to the wall. The rough cedar planks were covered in crude drawings made with colored wax crayons. There were drawings of trees, a blue car, a stick figure holding hands with a taller stick figure labeled Auntie.
And then there was a drawing that made Declan’s breath stop entirely.
It was a sketch of a grand office. A massive desk. A green banker's lamp. Behind the desk was an older man with silver hair and a mustache—his father, Sean Gallagher. Standing beside the desk was a tall young man with dark hair, labeled Big Brother.
And pinned to the wall right beside the drawing, held in place by an old upholstery tack, was a photograph.
It was a small, creased photograph taken on the Gallagher yacht seven years ago. In the picture, Sean Gallagher was laughing, his arm wrapped around a woman with auburn hair and a gentle smile—Eileen Jenkins. Standing between them, barely a year old, was Katie, wearing a miniature sailor hat.
On the back of the photograph, in Sean Gallagher’s distinctive, bold fountain-pen script, was written:
“To my daughter Katherine. May you never have to carry the weight of this family’s sins. With all my love, Dad.”
Declan stared at the ink. He reached out, his finger touching his father’s handwriting, feeling the imprint of the pen nib pressed deep into the paper fibers.
Katie wasn't Norah’s niece.
Katie was Sean Gallagher’s daughter.
Katie was his sister.
A cold, terrifying silence filled the room. Declan slowly turned around to face Norah.
Norah had risen to her feet, shielding Katie behind her skirt once more. Her face was pale, but her eyes held no shame—only the fierce, desperate resolve of a woman who had spent years guarding a sacred secret.
“My sister died during childbirth, Declan,” Norah said quietly, the truth spilling out without pretense. “Eileen took Katie in and raised her as her own, because Sean couldn't acknowledge her publicly without starting a blood feud with his wife’s powerful family. But Sean loved her. He loved her more than the empire. When he died, he left everything—the private off-shore trusts, the Swiss accounts, the actual voting rights to the shipping terminals—not to you, and not to Martin. He left them to Katie, with my mother as trustee.”
Norah took a shuddering breath.
“That’s what Martin and Liam are after. It’s not just forty million dollars. If Martin gets Katie, he gets the legal power of attorney to seize the entire Gallagher empire from you legitimately through the family court. You were never meant to survive tonight, Declan. But worse... she was never meant to survive tomorrow.”
Before Declan could speak, Katie reached into the pocket of her oversized coat and pulled out a small, folded piece of thick cardstock.
“The bad man took my shoes,” Katie whispered, her lip quivering as she held the paper out toward Declan. “He said my daddy was in hell. But Daddy gave me this before he went to sleep. He told me to give it to the boy with the watch.”
Declan knelt in front of the little girl. For the first time in ten years, the terrifying mafia boss of Chicago knelt in the dirt, his knees pressing against the cold wooden floorboards.
He gently took the folded card from her small hand.
It was an envelope addressed to Declan.
Inside was not a financial ledger. Inside was a single key to the grandfather clock in the estate’s grand foyer—and a note in Sean’s handwriting that read:
“Declan—Martin bought Liam two years ago. If you are reading this, I am already dead, and Liam is preparing to take my chair. But do not look up at Liam. Look down. The man who ordered my poison isn't at the gala. He is sitting in the parish house of St. Jude’s Church right now, waiting for the bells to ring.”
Declan’s phone vibrated violently against his hip.
He pulled it out.
May you like
A text message from Liam Foley flashed on the screen:
“Declan, where are you? The Moretti delegation just arrived at the front gate. We’re going up to the study now. You have five minutes.”